SAAT EL TAHRIR DAKKAT, BARRA YA ISTI 'MAR
THE HOUR OF LIBERATION HAS ARRIVED

GB, FR, LB 1974, D, SC, E Heiny Srour, C Michel Humeau, S Jean-Louis Ughetto, P Srour Films, Print colour, DCP, 64 min, arab. OV +engl. SUB

„My French cameraman Michel Humeau and the soundman Jean-Louis Ughetto are heroes: the first carried a ten kilogram sync camera, and the second a twelve kilogram Nagra walking 800 kilometers through deserts and high mountains under the bombing of the Royal Air Force. It’s thanks to Michel that I was able to give a voice to the voiceless, for the first time in the Middle East, due to the use of sync camera. [...] However, both had a very male dominated outlook and were, in those days, blind and often unsympathetic to the avant-garde feminism of the Front." (Heiny Srour interviewed by Mary Jirmanus Saba, Screenslate, 2019)

Photo: Michel Humeau © Heiny Srour - Michel Humeau
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Acronyms
amer. American English
b/w Black and white
OV Original version
SUB Subtitles
+SUB electronic live subtitling (below the image)
INT Intertitles
Countries
AT Austria
FRG Federal Republic of Germany (historic)
BLR Belarus
DE Germany
CAN Canada
GDR German Democratic Republic (historic)
EGY Egypt
FR France
GB Great Britain
URY Uruguay
BRA Brasil
SWE Sweden
UKR Ukraine
PL Poland
IDN Indonesia
PRT Portugal
HRV Croatia
ECU Ecuador
HUN Hungary
AUS Australia
IT Italy
MEX Mexico
IND India

Followed by a conversation with the director

Heiny Srour

Heiny Srour was born in Beirut, Lebanon in 1945 She lived, worked and studied there. BA Sociology at the ESL (École Supérieure des Lettres/French University of Beirut). PHD research in Social Anthropology in the Sorbonne in France under the guidance of Maxime Rodinson. She worked as teacher and journalist in Lebanon. She was also a film critic in Paris. Her film THE HOUR OF LIBERATION HAS ARRIVED was the first arab film by a woman to be selected at the Cannes Film Festival.

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