Frauen und Film, Vol. 71 / Feminist Economics and Temporality
Presented by Eva Kuhn, publisher
The starting point for Women and Film 71 is feminist criticism of a system that has declared the idea of the unlimited growth of capital to be absolute, and subordinates all social, environmental, and creative processes to this interest. "Feminist Economics and Temporality" relates the concept of the economy to its etymological roots – "household management" – and sees films as economies over time that achieve visionary things and can render visions visible.
ECU, BRD 1984 | Director: Mónica Vásquez | Camera: Cristóbal Corral | Editor: Camilo Luzuriaga | Colour | 16mm | 22 min | quechua and spanish OV with german SUB | EZEF
An account of how indigenous communities of the Ecuadorian highlands struggle with human and environmental threats to their land and their traditional farming practices. Through first person testimonies, the contemporary challenge of combating deforestation is connected to the poetics of ancestral knowledge. (Federico Windhausen, International Short Film Days Winterthur 2022)
Acronyms | |
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amer. | American English |
b/w | Black and white |
OV | Original version |
SUB | Subtitles |
+SUB | electronic live subtitling (below the image) |
INT | Intertitles |
Countries | |
---|---|
AT | Austria |
FRG | Federal Republic of Germany (historic) |
BLR | Belarus |
DE | Germany |
CAN | Canada |
GDR | German Democratic Republic (historic) |
EGY | Egypt |
FR | France |
GB | Great Britain |
URY | Uruguay |
BRA | Brasil |
SWE | Sweden |
UKR | Ukraine |
PL | Poland |
IDN | Indonesia |
PRT | Portugal |
HRV | Croatia |
ECU | Ecuador |
HUN | Hungary |
AUS | Australia |
IT | Italy |
MEX | Mexico |
IND | India |
ECU 2021 | Directors: Libertad Gills, Martín Baus | Colour | DCP | 4 min | no dialogue
From a point of view/listening that is both animal and elemental, between the air, the ocean and the sand, relationships emerge between humans, birds and marine life.
Acronyms | |
---|---|
amer. | American English |
b/w | Black and white |
OV | Original version |
SUB | Subtitles |
+SUB | electronic live subtitling (below the image) |
INT | Intertitles |
Countries | |
---|---|
AT | Austria |
FRG | Federal Republic of Germany (historic) |
BLR | Belarus |
DE | Germany |
CAN | Canada |
GDR | German Democratic Republic (historic) |
EGY | Egypt |
FR | France |
GB | Great Britain |
URY | Uruguay |
BRA | Brasil |
SWE | Sweden |
UKR | Ukraine |
PL | Poland |
IDN | Indonesia |
PRT | Portugal |
HRV | Croatia |
ECU | Ecuador |
HUN | Hungary |
AUS | Australia |
IT | Italy |
MEX | Mexico |
IND | India |
DE 2019 | Director, Conzept, Camera, Editor, Sound: Angela Anderson | Sound Design, Mixing: Angela Anderson, Manuela Schininá | Colour correction: Sebastian Bodirsky | DCP | 37 min | arab, english and kurdish OV with english UT
The way one relates to land, water, and “resources” is reflected in the way one produces goods, relations, and affinities. THREE (OR MORE) ECOLOGIES: A FEMINIST ARTICULATION OF ECO- INTERSECTIONALITY – PART I: FOR THE WORLD TO LIVE, PATRIARCHY MUST DIE juxtaposes the highly industrial/technical nature of the destructive fracking industry driving North Dakota’s Bakken shale oil boom on the Ft. Berthhold-Three Affiliated Tribes Reservation with voices from Jinwar – Village of Free Women, a women’s collective agricultural village project in the autonomous region of Rojava (Northern Syria). The first chapter of this ongoing audio-visual research project emphasizes the urgent necessity of redefining value in the face of economic models that are driving the current climate crisis and the ongoing disruption/destruction of ecosystems with blatant disregard for the embodied knowledge these ecosystems cultivate and nourish. It calls into question capitalism’s unbridled accumulation, fostered by competition, inequality and exploitation, the undergirding of patriarchal society, and comes to a singular conclusion: For the world to live, patriarchy must die.
Acronyms | |
---|---|
amer. | American English |
b/w | Black and white |
OV | Original version |
SUB | Subtitles |
+SUB | electronic live subtitling (below the image) |
INT | Intertitles |
Countries | |
---|---|
AT | Austria |
FRG | Federal Republic of Germany (historic) |
BLR | Belarus |
DE | Germany |
CAN | Canada |
GDR | German Democratic Republic (historic) |
EGY | Egypt |
FR | France |
GB | Great Britain |
URY | Uruguay |
BRA | Brasil |
SWE | Sweden |
UKR | Ukraine |
PL | Poland |
IDN | Indonesia |
PRT | Portugal |
HRV | Croatia |
ECU | Ecuador |
HUN | Hungary |
AUS | Australia |
IT | Italy |
MEX | Mexico |
IND | India |
Followed by a film talk with the directors Angela Anderson and Libertad Gills, moderation Borjana Gaković
Angela Anderson is an artist and researcher working primarily in multi-channel video installation. Through speculative cartographies of multiple materialities and temporalities, her work seeks to challenge patriarchal, extractivist narratives and foster inter-species & inter-material solidarity from a queer feminist perspective. Recent exhibitions and festivals include Queer Porto 2022, 2021 Kyiv Biennial, Pravo Ljudski Film Festival Sarajevo, Tallinn Photomonth Biennial, Holbaek Images (DK), the 2015 Thessaloniki Biennale, and as co-author in documenta 14. She is a candidate in the PhD in Practice Program at the Academy of Fine Arts Vienna and assistant professor at Kunsthochschule Kassel, and an instructor at Bard College Berlin.
Libertad Gills is a filmmaker, researcher and videoessayist. Her writing on film has appeared in Senses of Cinema, Short Film Studies, desistfilm, Kino Slang, La vida útil, La Furia Umana, and Fuera de Campo, and her films have screened in Prismatic Ground, Open City Documentary Film Festival, FilmFest Dresden, Cámara Lúcida, EDOC, Pan-Cinema Experimental Festival, and more festivals worldwide. She is currently the Post-Doc Researcher for the Future of Cinema and the Audiovisual Arts at the Università della Svizzera italiana, in partnership with Locarno Film Festival.